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Walking The Tightrope

by Nick Toczek & Signia Alpha

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Record/Vinyl + Digital Album

    The second album from Nick Toczek & Signia Alpha, available as a limited edition 12'' vinyl in transparent yellow vinyl. Contains colourful inner sleeve as well as separate lyric sheet..
    Features an appearance by legendary bassist Paul Gray (Damned, UFO, Eddie & The Hotrods etc) on the track 'Best Wishes'.

    Recorded in January, February (before lockdown), August & September (during Bradford’s brief respite from lockdown) 2020, at Signia Alpha Studio B, (late of) Try Mills, Thornton Road, Bradford.
    Wulf’s guitar parts recorded by himself in far off Bootle.
    Mark’s bass on Moon Above The Mövenpick and Hotel Music recorded by himself in far off Cornwall.
    Paul Gray’s bass on Best Wishes recorded by himself in far off Wales.
    Nogsy’s guitar parts recorded by himself in far off Sheffield.
    Drums and guitars on Moon Above The Mövenpick and Hotel Music recorded in 2018.
    Only Premier drums (Resonator, Signia, Genista) were used during this recording.
    Mixed and overdubs recorded at Signia Alpha Studio A, Bradford, 2020.
    All artwork & design by Matt Webster @ Signia Alpha
    Photos by Matt Webster, Nick Toczek (Matt @ Western Dance), Paul Gray (himself @ The Damned), Andrea Stevenson (Mark @ Lenin Black), Heat Hen (Simon Nolan)
    Also available from Mutiny 2000 Records: Shooting The Messenger on vinyl, CD and download.

    Includes unlimited streaming of Walking The Tightrope via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      £12 GBP or more 

     

1.
The Movie 03:09
Like soft fruit, we're boxed up We're banged up and lidded We're stacked away, packed away Pre-taxed and gridded Apartmented, motorised Mortgaged and kiddied Each income computed And suitably quidded Then citified, pitiful Puddled and giddied We're herded on waggons And wheelied and skidded We're animals, we're the common herd We're cannibals of the western world We're animals, we're the common herd We're cannibals of the western world We're animals, we're the common herd We're cannibals of the western world Cannibals of the western world Cannibals of the western world Of the West And bundled to market And monied and bidded And cutted and gutted And bloodied and ridded And sliced up and eaten And each of us did it We're animals, we're the common herd We're cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals Of the West We're those feeding. We're their food Hear us chomping. We're the chewed We're the diners. Eat us, dude We're the starving. We're the stewed Farmed and fattened, caged and zooed Roasted, toasted, boiled, baked, brewed We're the flesh that's much valued Hunters hunted. Prey pursued We're the mincemeat. We're menu'd We're the mass, the multitude We're the flock, the breed, the brood We're here to be barbecued We're animals, we're the common herd We're the cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals of the western World
2.
Best Wishes 05:49
I wish you far from danger and despair And further still from those who just don't care I wish you shorter hours, better pay I wish you luck in all you do and say I wish the telephone would one day ring And bring a voice not selling anything I wish you brass in pocket, food on plate And time at end of day to contemplate Some days I wish your "No" had been a "Yes" And often wish for more, and then for less I wish we occupied a better place In which war gleaned not glory but disgrace I wish you jobs well done and comfy shoes With music and whatever else you choose And kindnesses and moments which amaze To cruise you down the distance of your days I wish you high ambition all your life And strength when guilt cuts deep as any knife I wish you distant journeys and returns And wish you passion so intense it burns I sometimes wish I liked myself much more And we could cure what makes us insecure I wish us doors which don’t require keys And wish us never forced down on our knees However, I’d be satisfied with this Us dazzled by one glimpse of gleaming bliss
3.
What if I loved you less Could kill this intensity Would never need to ask again if anything was wrong And were not your impossible lover Nor you mine? And what if there was the money here For me to treat us as I would? You see, I have inside me This better version of myself This never jealous man Who is always going to one day turn up at your door His clothes are new He has come to take you On some grand and endless adventure
4.
In Doha, Qatar, staying at The Hotel Gloria, I often ate in the nearby Mövenpick. Another night and the air lies thick. The moon sits over The Mövenpick. Idle drivers chat. Low planes growl through. Another night and the air lies thick The moon sits over The Mövenpick Idle drivers chat. Low planes growl through Ending their shift, a construction crew Waits for their lift in the dust and heat Where they stand or squat or slump dead-beat Amid bits of brickwork, concrete, tar A loud kitten crouched beneath a car Innocently makes us all aware Of Earthly sin. Then the call to prayer Sees faith and fear intertwine details Muezzun's voice mixed with feline wails God-of-all-things, you've got much to do Weather, work, wildlife, wickedness too This night needs you and the air lies thick The moon sits over The Mövenpick
5.
Algebra 03:07
The exasperating imprecision of language Keep a grip Aimless after midnight Wandering from room to room in a house I can't afford Doubting my vision There was snowfall and love in the evening I counted forty-one political killings on today's news Too tired to argue, I retreat into my own existence Almost convinced that it's not what you believe But that you believe So passions are paramount Enter jealousy and the fear of loss You can't get round the fact that Unacceptable equations Occupy the ringside seats Aim lower Watch a soap opera Play a game Tell a joke Cop out Do anything I attach too much importance to the words
6.
It wasn't a dark night It wasn't even raining But the phone rang anyway 'I found the answer,' said the voice 'It was here all along' 'What did you find?' I asked her 'You tell me,' she replied 'You're the detective'
7.
Like soft fruit, we're boxed up We're banged up and lidded We're stacked away, packed away Pre-taxed and gridded Apartmented, motorised Mortgaged and kiddied Each income computed And suitably quidded Then citified, pitiful Puddled and giddied We're herded on waggons And wheelied and skidded We're animals, we're the common herd We're the cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world Cannibals of the western world Cannibals of the western world Of the western world We're bundled to market And monied and bidded And cutted and gutted And bloodied and ridded And sliced up and eaten And each of us did it We're animals, we're the common herd We're cannibals of the western world We're animals, we're the common herd We're cannibals of the western world We're animals, we're the common herd We're cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals Of the West We're those feeding. We're their food Hear us chomping. We're the chewed We're the diners. Eat us, dude We're the starving. We're the stewed Farmed and fattened, caged and zooed Roasted, toasted, boiled, baked, brewed We're the flesh that's much valued Hunters hunted. Prey pursued We're the mincemeat. We're menu'd We're the mass, the multitude We're the flock, the breed, the brood We're here to be barbecued We're animals, we're the common herd We're the cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world We're animals, we're the common herd We're the cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals of the western world Cannibals of the western World
8.
You live on the edge of a knife Nothing resolves Whatever you touch is sand It drains from you Until you can't put a price on anything You feel like a supermarket that's afraid to open But glass breaks Shapes change Nothing waits for you Nothing waits I'm just a poet man, always alive I'm just a poet man, always survive With feelings, meaning and notions The usual poem put in motion People are deserting language in their hundreds You might as well speak Latin You might as well write Greek You're a joke who put his punchline in his pocket But couldn't find it when the time came And then the time came, and came again, and again Like a bad dream, like a passion It's only fashion Like a passion It's only fashion I'm just a poet man, always alive I'm just a poet man, always survive With feelings, meaning and notions The usual poem put in motion You're gonna pull though Fix it, find success and true happiness The right brand of cigarette to start you smoking again The right brand of drink to make you daily drunk The right blend of compromises to make you famous But each day rips its own pages from the book You stand in a windy street waiting for a bus It's the wrong stop, the wrong fare in your hand The wrong time of day You decide to walk, knowing it's too far The right bus pulls up just after you've gone The right money was in your pocket all the time You're walking nowhere, into a mirror Always face-to-face with yourself You live on the edge of a knife Nothing resolves Nothing resolves
9.
Hotel Music 03:14
By night, air-con has its fans. They whistle. Ventilators sigh. A balcony launches brief bursts of language. Out back, trash avalanches. Then the bin lid loudly slams. Hot kitchens exhale an oily steam. TVs dream or ooze ill news from wars. Cars purr, rub up, draw their claws, pause. Loud people pour through doors, are absorbed. Rooms murmur. Passing planes scrape at the sky. Out here, asthmatic, I cough, silencing the single cicada and causing roosting birds in the planted palms to complain. They pick up phones, call reception, are told that someone will deal with me.
10.
Galleon 03:29
The ghost ship glides through coastal fog. A ghastly hand scrawls in the log: Have pity on us, please. High scraps of sail hang torn to shreds And rigging rots, the ropes in threads On flat and windless seas. And wet weeds clamber up the wreck, And crabs crawl cruel across the deck, Legs bent like broken knees. The air is bad, the silence worse, No shanty sung nor sailor’s curse Since thirst and since disease. Skeleton crew, it’s truly that, The bare-boned captain, men and cat Might shake like rattled keys. But treasure glitters in the hold, And greed goes gladly after gold To trap men by degrees. So, hooked by hoard and its reward, The ship finds more to lure aboard Like mice pursuing cheese. But once they’re there, they have to stay. With no way off, they waste away Or in the cold fog freeze. Thus this galleon slowly goes On one vast voyage no human chose, And years pass like a breeze.
11.
Close Up 04:54
Inhale, exhale; inhale, exhale Listen to lungs. Don't let them fail Weak where once they blew a gale Hear them whistle. How they wail Inhale, exhale; inhale, exhale These ribs are bars which built this jail Each breath an inmate begging bail There's no reprieve. No call. No mail Inhale, exhale; inhale, exhale Never known struggling on this scale Failure at the speed of a snail And, oh, it leaves a dreadful trail Inhale, exhale; inhale, exhale It's crucifixion, nail by nail A sacrifice beyond the pale A landed fish to flap, to flail Inhale, exhale; inhale, exhale One day this wind will fill our sail One day we'll live to tell this tale One day our souls won't be for sale

about

The second LP from Nick Toczek & Signia Alpha.

Side 1:
1. The Movie (lyrics; Toczek, music: Webster)
2. Best Wishes (lyrics; Toczek, music: Webster/Ingham)
3. Confidence Trick (lyrics; Toczek, music: Webster)
4. Moon Above The Mövenpick (lyrics; Toczek, music: Webster)
5. Algebra (lyrics; Toczek, music: Webster/Atkinson)
6. The Detective (lyrics & music: Webster)

Side 2:
1. Cannibals Of The Western World (lyrics; Toczek, music: Webster)
2. Nothing Resolves (lyrics; Toczek, music: Cranmer/Webster)
3. Hotel Music (lyrics; Toczek, music: Webster)
4. Galleon (lyrics; Toczek, music: Atkinson/Webster)
5. Close Up (lyrics; Toczek, music: Cranmer/Webster)

Recorded in January, February (before lockdown), August & September (during Bradford’s brief respite from lockdown) 2020, at Signia Alpha Studio B, (late of) Try Mills, Thornton Road, Bradford.
Wulf’s guitar parts recorded by himself in far off Bootle.
Mark’s bass on Moon Above The Mövenpick and Hotel Music recorded by himself in far off Cornwall.
Paul Gray’s bass on Best Wishes recorded by himself in far off Wales.
Nogsy’s guitar parts recorded by himself in far off Sheffield.
Drums and guitars on Moon Above The Mövenpick and Hotel Music recorded in 2018.
Only Premier drums (Resonator, Signia, Genista) were used during this recording.
Mixed and overdubs recorded at Signia Alpha Studio A, Bradford, 2020.
All artwork & design by Matt Webster @ Signia Alpha
Photos by Matt Webster, Nick Toczek (Matt @ Western Dance), Paul Gray (himself @ The Damned), Andrea Stevenson (Mark @ Lenin Black), Heat Hen (Simon Nolan)
Also available from Mutiny 2000 Records: Shooting The Messenger on vinyl, CD and download.

credits

released March 31, 2021

Nick Toczek - vocals
Matt Webster - drums, bass, guitars, acoustic guitar. keyboards, mandolin
Mark Cranmer - bass (1.5, 2.2, 2.3, 2.5), double bass (1.4)
Paul Gray - bass (1.2)
Wulf Ingham - guitar, lead guitar (1.2, 1.3, 2.5)
Simon Nolan - guitar (1.1, 2.1), acoustic guitar (2.5)
Jack Atkinson - guitar (1.5, 2.4)
Keith Jafrate - saxophone (1.1-5, 2.1-5)
Chris Walsh - flute (1.2-5, 2.2-5)
Dee Bo General - vocals (1.1, 2.1, 2.2)

Produced by Matt Webster with Nick Toczek.
Recorded and mixed by Matt Webster.
An original sound recording made by Mutiny 2000 Records.
℗ & © 2021 Nick Toczek & Signia Alpha.

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Nick Toczek & Signia Alpha Bradford, UK

Poet Nick Toczek began collaborating with Matt Webster in 2019.
They released Shooting the Messenger in 2020. A mix of indie, jazz and funk grooves with Toczek’s surreal poems and stories.
Walking the Tightrope followed in 2021 & included a guest appearance by The Damned’s Paul Gray.
A third album in 2022. Webster plays many of the instruments with contributions from guests, including Paul Gray,
... more

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